A Life Of Lorenzo Da Ponte: Talent Flies; Practical Reason Walks
Among the worlds favorite operas, we find three of them with a libretto penned by Lorenzo Da Ponte and music by none other than the astonishingly delightful Viennese ear-confectioner Mozart. The list is a delight in itself: The Marriage of Figaro, Don Giovann, and Cos Fan Tutte.
We learn in the new book, The Librettist of Venice, by Rodney Bolt, that Da Ponte grew so close with the unequalled Mozart both of whom, we learn, were not only talented but vain, insecure and ambitious that while writing Don Giovanni, they worked in adjoining lodges and shouted to each other through their windows.
Da Ponte even dared to contend with Mozart, who believed the text should be subservient to the music, while Da Ponte was certain that the words should be primary, in fact, that without his poetry even Mighty Mos music would be nothing.
Yet how Da Ponte tumbled from the heights. Hard as it may be to imagine, he wound up in New York, running, at one time, a grocery store on the Bowery.
Brilliant as an artist, he was apparently, in his personal life, a managerial moron. Or, said another way,...
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