An American avant garde composer, who takes his inspiration from the most upstart composers of recent times, had a piece performed last night at Carnegie Hall, titled Making Popcorn.
The Boston Pops Orchestra, which commissioned the piece, left the stage to make way for the performance.
Stagehands then wheeled out a popcorn-making machine and prepared it for the performance by filling it with dry corn, butter, and salt.
When the machine was tuned, the composer entered to conduct his own work. Taking the podium, he raised his baton and the machine was switched on. When the first kernel popped, he gave a firm downbeat and then continued to conduct as the kernels popped away. The piece concluded when all the popcorn had contributed its sound.
In an interview prior to the concert, the composer told us, Its a new piece for percussion. As you know, there have been more additions to the percussion of the orchestra than to any other one. Take, for instance, the brake drum and the ratchet, which is really just a noisemaker. My hope is that the success of my new piece will make the popcorn machine a standard ingredient of the symphony orchestra.
Would...
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