A stimulating character, that entertains in his home page a section devoted in full to the analysis of the political jazz of the sixties.
The observations of Camal are stimulating, ideologically you direct not, also succeeding at the same time to recover important figures of that season, giving them a correct position (is worth on all the examples of Frank Kofsky and Amiri Baraka, today a little considered, in kind the first one).
Camal quotes them, he criticizes them. I mark that their ideas “strong” on the jazz they maintain intact their charm, to distance of years.
The studies on the jazz, more and more serious and philologically correct, you are receiving spaces ever had before. There are authors that bring forth innovative thesis and different readings from those usual, for instance the wise man Paul’s Gilroy Black Atlantic, teacher of Black studies to the university of Yale, that offers a reading that has the breath of the coolness historical-political-geographical.
From the correspondence by e-mail this interview was born, that besides opinions not discounted on Coltrane and Sonny Rollins, it furnishes a list at the end...
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