Russian literature

Mythopoetic textual interpretation as a probable way to adecuate definition of literature appears in russian philology in the 70-s on the crossroads of several paradigms of humanities. Sharing the basic features of poststructuralism, Mythopoetical criticism goes to use practically some methodological orientations of contemporary linguistics, semiotics and the study of culture. This approach to text helps to describe the level of deep semantics which remains inaccesible for traditional literary history. Nevertheless, some traits of this method seem to be strange and doubtful, because it principally chooses innovative way of interpretation. That’s why Mythopoetical criticism became very fruitful for many scholars of russian literature in their intentions to leave the obsolete schemes of analysis. The famous representatives of Mythopoetics are both in the Western scholarship (for example, Erzy Faryno, Wolf Schmid, Aage Hansen-Love, Igor Smirnov, Mikhail Weiskopf) and in the Russian (such as Vladimir Toporov as a predecessor of the movement and several scholars of youngest generation – Goncharov family, Tupa & so on). In my opinion it’s necessary to grasp the...